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Two leaves, four corners, one drawing

Deschutes Historical Museum · Undated

This record carries no date and is not plotted along the story. The archive holds it.

The lower part of a printed page reading GROUP PORTRAIT of A Member of the Emblem Club and A Member of the Bend Commercial Club, with a circular BEND emblem in each bottom corner and a signature in ink between them.
The foot of the first leaf: a disc in each corner, the caption, and the signature line. Deschutes Historical Museum, from its 2013 video · documentary reproduction Examine the original

A printed item the museum holds, nobody has catalogued, and which carries the sharpest club-era drawing of the emblem this project has seen.

Between the curator's sentences the 2013 video shows two pages of something printed. Each has a photograph above and a caption below, and each has a BEND disc set into both bottom corners, about an inch and a half across on the page.

The first reads GROUP PORTRAIT / of / A Member of the Emblem Club and / A Member of the Bend Commercial Club, over a ruled line signed in ink. The signature is legible enough to read as Clyde M. McKay and is not further identified here. The second reads A RECEPTION COMMITTEE, under a photograph of twelve men in hats standing on rock beside a railroad track.

Nothing in the archive names this item. It is not the 1913 book, whose full text is transcribed here and which carries neither caption. Its two leaves are the same size, the same stock and the same layout, so they are almost certainly from one publication; what the publication is, who printed it and when are all open. A reception committee photographed beside a railroad track invites one obvious guess about which reception, and a guess is what it stays.

The drawing is the find. At this size the corners come to points, the last letter tapers, the E has three arms and the B's bowls meet in a notch — which is the construction of the 1912 advertisement, printed on something the club itself handed out.

Measured

The 1912 cut, the angular construction. Broad letters, a three-armed E, a capital N, and corners that taper to a point.

Read at medium confidence from 158 px of letter, which is an upper bound: this drawing's letters run into its ring, and no cut separates them.

Each drawing is reduced to the same thing — the letters BEND, cropped to their own ink, rasterised at a common size — so two of them can be compared by shape alone.

Device aspect
1.000 The roundel’s width divided by its height. 1.000 is a true circle; anything else is an oval, or a photograph taken at an angle. 0.977 – 1.048 across the collection
Word aspect
0.948 The same ratio for the block of BEND letters alone, once cropped to their own ink. 0.927 – 1.862; the high end is lettering set wide rather than stacked
Figure ink
0.406 How much of the drawing is ink rather than ground. A heavy ring and fat letters push it up. 0.169 – 0.728, median 0.493
Coverage
0.335 How much of the normalised square the letters fill once every drawing is reduced to the same size. 0.198 – 0.576, median 0.456

What it most resembles. Two digitisations of a single printing score 0.975, so that is what “the same artwork” looks like as a number.

Least like it: Bend Rubber Stamp & Printing, at 0.141.

Resemblance is not descent. A high score means two drawings have the same shape. It does not establish which came first, or that either was copied from the other.

Compare this drawing with another · The board · How the drawings were measured

A circular emblem, the word BEND drawn in outlined broad letters that fill the disc and run to a single ring.
The left-hand disc: outlined letters, angular corners, a tapering last letter. Deschutes Historical Museum, from its 2013 video · documentary reproduction Examine the original
The lower part of a printed page reading A RECEPTION COMMITTEE, with a circular BEND emblem in each bottom corner.
The foot of the second leaf, with the same pair of discs. Deschutes Historical Museum, from its 2013 video · documentary reproduction Examine the original

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