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Take the emblem

The Emblem Club handed printing cuts across a dinner table so the mark would spread through newspapers, checks and stationery. This is the modern printing block. Pick a drawing and put it somewhere.

Two ways to carry it forward

Download everything (ZIP, 5.5 MB) SVG, PNG, WebP, JPG, PDF, EPS, DXF and the favicon set. Includes scoped LICENSE.txt and RIGHTS.json; common artwork is not CC0.

Every file and every format — 85 of them, the print sheets, and the terms for each drawing

Print it. Make it yours.

Window sheets and a personal pledge, ready to print. The pledge is optional; make it privately or sign your own paper copy. Read the pledge.

1912, modernized

A new, carefully redrawn interpretation of the 1912 design. Clean curves and deliberate spaces, with the historical letterforms kept recognizable. This is a modern adaptation, not a facsimile.

Project-controlled contributions to this modern adaptation are dedicated under CC0 1.0. Attribution is optional; commercial use and adaptation are welcome. No third-party trademark rights are granted.

1912 newspaper reconstruction

A source-faithful reference reconstructed from the Bend Bulletin of 3 July 1912, with the copyright symbol omitted. The original printing and change record remain in the archive.

CC0 1.0 covers only project-controlled rights in this reconstruction. The 1912 source design is public domain in the United States. No third-party trademark rights are granted.

Historical reconstruction: traced from an identified specimen.

The common emblem

Received common-form artwork with a single disc edge. It differs from the 1912 newspaper drawing. Its age, author and source are unknown.

Received common-form artwork. Origin and third-party rights remain unresolved; no CC0 or other reuse license is asserted for this family.

Received common-form artwork; origin unknown. The package was produced with ChatGPT. A contemporary public comparison is filed, but no historical specimen or creation record establishes this master’s age, author or method of creation. The lettermark is a distinct received treatment, not an unchanged extraction of the cutout letters.

Web and app icons

The favicon set, cut from the Cutout Emblem. The same files this site uses.

SVG 6 KBPNG 16 1 KBPNG 32 1 KBPNG 48 2 KBPNG 180 7 KBPNG 192 7 KBPNG 512 23 KBICO 3 KB

Maker and cutting files

DXFs use millimetres: the 1000-unit SVG canvas maps to 100 mm. The cutout has three counter islands; the lettermark has four separate letters. Use transfer material for vinyl. A one-piece stencil needs a separate bridged design. No kerf compensation is applied.

1912 newspaper reconstruction: no DXF is offered. Its curved outlines have not been converted into validated cutting polylines; use the SVG in a compatible design workflow.

1912, modernized: no DXF is offered. Its curved outlines have not been converted into validated cutting polylines; use the SVG in a compatible design workflow.

bend-emblem-common-cutout-black.dxf 21 KBbend-emblem-common-cutout-black-cut.svg 6 KBbend-emblem-common-lettermark-black.dxf 17 KBbend-emblem-common-lettermark-black-cut.svg 5 KB

Which file to use

FormatUse it forNotes
SVGWebsites, design tools, signs, vinyl, laser and CNC workflows.Scales to any size. The master format.
PNGEveryday use: documents, presentations, social media, overlays.Transparent. Pick the size nearest your output; larger only scales down well.
WebPLightweight websites.Transparent, lossless.
JPGAnywhere transparency is not needed.Flattened on white. Black variants only.
PDF, EPSCommercial printers and sign shops.Generated from the active master on a 100 × 100 mm page. Black/white vectors; no spot-white plate, bleed or press profile.
DXFMaker and fabrication software.Generated closed polylines in millimetres from the active master. Confirm the output size in your cutting software.
ICO, favicon PNGWebsites and apps.Cut from the Cutout Emblem.

Use and attribution

Project-controlled contributions to the 1912 adaptation and reconstruction, pledge and sharing layouts are dedicated under CC0 1.0. Credit is optional; commercial reuse and adaptation are welcome. This grants no third-party trademark rights.

The common drawing has unresolved provenance and third-party rights. It is excluded from that dedication, including when placed on a printable sheet. Each package carries its own notice.

If you want to help people find the story: Emblem files and the story: BendEmblem.com. Pass it on.

About these files

Masters v1.2. Two everyday choices and a historical reference: the 1912 modernization is an intentional adaptation; the newspaper reconstruction preserves the printed drawing; the common artwork has unknown age, author and source. Its lettermark is a distinct received treatment with different contours and spacing.

Filenames are contracts: a published file is never renamed or changed in place, so you can hotlink, embed, or paste a path into fabrication software and it stays put. A corrected file gets a new name.

Use it. Share it. Put it somewhere.

May I?

Yes, for the drawings this project can give away — which includes the one the club itself used. The 1912 design is public domain in the United States, and this project’s contributions to the reconstruction and the adaptation are dedicated under CC0 1.0. Credit is welcome and not required. Commercial use is fine. The one exception is the drawing most people already recognise, below.

The exception, and the per-drawing notices

“No permission required” is true of some of these drawings and not others, so the site says which is which rather than making one promise for all of them.

Yours outright

  • 1912, modernized

    Project-controlled contributions to this modern adaptation are dedicated under CC0 1.0. Attribution is optional; commercial use and adaptation are welcome. No third-party trademark rights are granted.

  • 1912 newspaper reconstruction

    CC0 1.0 covers only project-controlled rights in this reconstruction. The 1912 source design is public domain in the United States. No third-party trademark rights are granted.

Not yet ours to give

  • The common emblem

    Received common-form artwork. Origin and third-party rights remain unresolved; no CC0 or other reuse license is asserted for this family.

This is the drawing most people already recognise, and its origin, author and age are unknown. Until that is resolved the project asserts no licence over it, and neither should you. If you know where this artwork came from, that is the single most useful thing anyone could tell us — the archive records what is known and what is not.

None of this grants trademark rights, and no trademark clearance has been done. Using a mark in trade is a different question from copying a drawing.

65 documented appearances are filed in the archive — printed pages, architectural glass, civic identities, public art and everyday objects. The emblem never really stopped being used; it stopped being recorded. See where it has turned up on the board.

The drawings, and how they are related · The archive

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